Not so much a credit sequence, since no-one's actually credited in it, so it's a title sequence. Or, at least, a title card. And it's not so much the design of the card itself, rather than its placement - almost half way into Matsumoto Hitoshi's madcap comedy, at a turning point I guarantee you won't see coming. It's at the point where Matsumoto announces his true intentions, and all with that wry wink he sustains throughout this kooky case of sensational pseudo-erotica.
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