I had a hunch that the NSFC would like Inside Llewyn Davis, which is currently being shunned by the guilds, but I didn't expect them to like it this much! Four awards and one second place for the Coen brothers' film, with American Hustle making a strong showing too. Between the wins for James Franco and Jennifer Lawrence, and the lack of documentaries, animations and non-English language features in their selections, this is surely one of the worst NSFC slates in recent times.
Best Picture
1. Inside Llewyn Davis
2.
American
Hustle
3.
12
Years a Slave
Best Director
1. Ethan Coen and Joel Coen (Inside Llewyn Davis)
2.
Alfonso
Cuarón (Gravity)
3.
Steve
McQueen (12 Years a Slave)
Best Actor
1. Oscar Isaac (Inside Llewyn Davis)
2.
Chiwetel
Ejiofor (12 Years a Slave)
3.
Robert
Redford (All Is Lost)
Best Actress
1. Cate Blanchett (Blue Jasmine)
2.
Adèle
Exarchopoulos (Blue Is the Warmest Colour)
3.
Julie
Delpy (Before Midnight)
Best Supporting Actor
1. James Franco (Spring Breakers)
2.
Jared
Leto (Dallas Buyers Club)
3.
Barkhad
Abdi (Captain Phillips)
Best Supporting Actress
1. Jennifer Lawrence (American Hustle)
2.
Lupita
Nyong’o (12 Years a Slave)
3.
Sally
Hawkins (Blue Jasmine)
Léa Seydoux (Blue Is the Warmest Colour)
Best Screenplay
1. Julie Delpy, Ethan Hawke and Richard Linklater (Before
Midnight)
2.
Ethan
Coen and Joel Coen (Inside Llewyn Davis)
3.
David
O. Russell and Eric Singer (American Hustle)
Best Cinematography
1. Bruno Delbonnel (Inside Llewyn Davis)
2.
Emmanuel
Lubezki (Gravity)
3.
Phedon
Papamichael (Nebraska)
Best Non-Fiction Film
1. The Act of Killing
At
Berkeley
3.
Leviathan
Best Foreign-Language
Film
1. Blue Is the Warmest Colour
2.
A
Touch of Sin
3.
The
Great Beauty
Best Experimental Film
Leviathan
Best Film Still Awaiting
American Distribution
Hide Your Smiling Faces
Stray Dogs
Film Heritage Award
The British Film Institute for restorations of Alfred Hitchcock’s
nine silent features
The DVD American Treasures from the New Zealand Film Archive
The Museum of Modern Art for its wide-ranging retrospective of the
films of Allan Dwan
Too Much
Johnson: the surviving reels of Orson Welles’ first professional film. Discovered
by Cinemazero (Pordenone) and
Cineteca
del Friuli; funded by the National Film Preservation Foundation; restored by
the George Eastman House
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