We Western audiences are accustomed to this by now, the sequel that never should have been. We receive them, with varying levels of willingness, countless times every year, apathetic to their mediocrity, quietly cursing them as they desecrate our memories of their predecessors. There's little to desecrate in 2012's Snow White and the Huntsman, though 2016's The Huntsman: Winter's War somehow achieves such a feat - of all the sequels that never should have been, this awful attempt after an already-bad film, itself an ill-advised update of a classic tale, and this an insulting extension from that, in a franchise with no promise, and needlessly jettisoning the first film's star, this sequel takes the cake. In essence alone, Winter's War is slut-shaming manifest as movie, sinking so low as to actually feature a Kristen Stewart body double for one pithy shot, before inexplicably ignoring her character for the remainder of the film, a film which yet includes every other leading cast member from the previous film. An Aussie, a Brit, a South African and an American embark on a tour of the accents of Britain, with wildly erratic results: kudos to Chris Hemsworth for his solid turn at Scottish, though poor Jessica Chastain's heinous effort may just have painted his in a flattering light. Who among the cast could justifiably shoulder the blame for such atrocious dialogue, though? Every last line seems to land with a horrible thud; if not every line, then at least almost. Amid sorry craftsmanship and a silly storyline, savour what few gems Winter's War has to offer: a subtly scene-stealing performance by Emily Blunt, and a genuine good laugh to be had from the film's little people. Alas, even in this regard, the film fails however, with just as many offensive statements as funny ones, and a continued refusal to actually cast little people in these roles. A curse on this film!
Showing posts with label Chris Hemsworth. Show all posts
Showing posts with label Chris Hemsworth. Show all posts
Tuesday, 12 April 2016
Thursday, 31 December 2015
REVIEW - IN THE HEART OF THE SEA (RON HOWARD)
You're stranded at sea for 90 days, countless miles from land and with precious little food and water, and only Chris Hemsworth and his crew of strapping young sailors for company. Do you a) wither away to a bag of miserable, crusty bones, or b) find invaluable ways to pass the time, and ingest some equally invaluable protein? In the Heart of the Sea needed more sex-starved gay characters. Anything to make it more interesting. As trite as it may be to summarise a film by comparing it to two other films, this really is just Life of Pi meets Unbroken, only cheaper, uglier and less entertaining. And the film itself is trite, a collage of substandard writing, simplistic character design and disinterested direction, its finer moments lifted from finer films, its weaker ones too. And all in service of its one and only purpose: watching a big boat torn to pieces by an even bigger whale. This is ostensibly the film's excuse not to bother with any of its other elements, that it might nail these Moby Dick sequences. And Ron Howard, as always only as good as the team he's working with, does a decent job at administering immediacy and intensity in the action scenes, some of which only rendered as such in the technical design. But a decent job isn't what an otherwise dreary film needs, nor what its audience deserves - In the Heart of the Sea lives or dies on the strength of these scenes, and they barely get the blood flowing enough for 90 minutes, never mind 90 days. Anthony Dod Mantle does typically excellent work with his saturated colour combinations, though the overall aesthetic is spoilt by poor visual effects. Other tech creds are mostly only passable at best. And yes, the lack of gratuitous sailors-at-sea sex scenes is a major disappointment.
Wednesday, 4 November 2015
RON HOWARD'S IN THE HEART OF THE SEA - FINAL TRAILER
If trailer #1 for In the Heart of the Sea was atmospheric, and trailer #2 felt awkwardly caught between atmospheric and epic, then trailer #3 is appropriately epic. Possibly angling for box office success over awards success, itself a potential indicator of the film's quality, this trailer is heavy on the bombast, effects and Chris Hemsworth, whilst also showcasing Anthony Dod Mantle's typically striking cinematography. This rolls out through much of the world in early December, including the US on the 11th; UK viewers will have to wait until Christmas Day to see it, though.
Friday, 18 September 2015
NEW TRAILER FOR IN THE HEART OF THE SEA
Having undergone a nine-month delay in release, priming it for awards consideration, Warner Bros.' In the Heart of the Sea makes good on the promise that its teaser trailer showed many months back with a second look at the action drama. Ron Howard's film is due for release around the world through December, with a US opening on the 11th and a UK one on the 25th, perplexingly (wonder how many screens it'll fill then...?). I prefer the teaser - it was more atmospheric, less bombastic - but I'm totally here for Anthony Dod Mantle's cinematography (as always) and for a wet Chris Hemsworth.
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