Best Picture
·
Argo
·
Holy
Motors
·
The
Master
·
Moonrise
Kingdom
·
Zero
Dark Thirty
Best Director
·
Ben
Affleck (Argo)
·
Paul
Thomas Anderson (The Master)
·
Wes
Anderson (Moonrise Kingdom)
·
Kathryn
Bigelow (Zero Dark Thirty)
·
Leos
Carax (Holy Motors)
Best Actor
·
Daniel
Day-Lewis (Lincoln)
·
John
Hawkes (The Sessions)
·
Denis
Lavant (Holy Motors)
·
Joaquin
Phoenix (The Master)
·
Denzel
Washington (Flight)
Best Actress
·
Jessica
Chastain (Zero Dark Thirty)
·
Jennifer
Lawrence (Silver Linings Playbook)
·
Emmanuelle
Riva (Amour)
·
Quvenzhané
Wallis (Beasts of the Southern Wild)
·
Rachel
Weisz (The Deep Blue Sea)
Best Supporting Actor
·
Alan
Arkin (Argo)
·
Dwight
Henry (Beasts of the Southern Wild)
·
Philip
Seymour Hoffman (The Master)
·
Tommy
Lee Jones (Lincoln)
·
Christoph
Waltz (Django Unchained)
Best Supporting Actress
·
Amy
Adams (The Master)
·
Ann
Dowd (Compliance)
·
Sally
Field (Lincoln)
·
Anne
Hathaway (Les Misérables)
·
Helen
Hunt (The Sessions)
·
Paul
Thomas Anderson (The Master)
·
Wes
Anderson and Roman Coppola (Moonrise Kingdom)
·
Mark
Boal (Zero Dark Thirty)
·
Drew
Goddard and Joss Whedon (The Cabin in the Woods)
·
Rian
Johnson (Looper)
Best Adapted Screenplay
·
Lucy
Alibar and Benh Zeitlin (Beasts of the Southern Wild)
·
David
Cronenberg (Cosmopolis)
·
Tony
Kushner (Lincoln)
·
Chris
Terrio (Argo)
·
Tom
Tykwer, Andy Wachowski and Lana Wachowski (Cloud Atlas)
Best Cinematography
·
Roger
Deakins (Skyfall)
·
Janusz
Kaminski (Lincoln)
·
Mihai
Malaimare Jr. (The Master)
·
Claudio
Miranda (Life of Pi)
·
Robert
D. Yeoman (Moonrise Kingdom)
Best Editing
·
Stuart
Baird (Skyfall)
·
Alexander
Berner (Cloud Atlas)
·
William
Goldenberg (Argo)
·
William
Goldenberg and Dylan Tichenor (Zero Dark Thirty)
·
Leslie
Jones and Peter McNulty (The Master)
Best Animated Feature
·
Arrietty
·
Brave
·
Frankenweenie
·
ParaNorman
·
Wreck-It
Ralph
Best Documentary
·
The
Imposter
·
The
Invisible War
·
Jiro
Dreams of Sushi
·
The
Queen of Versailles
·
This
Is Not a Film
Best Film Not in the
English Language
·
Amour
·
Holy
Motors
·
Rust
and Bone
·
This
Is Not a Film
·
The
Turin Horse
Ever alternative, the OFCS is always likely to surprise, choosing nominees surprising both for good and for bad reasons, depending on one's taste. To my taste, Silver Linings Playbook's almost total absence (only JLaw sneaks in), and Les Mis' (only Anne), Holy Motors' success, The Turin Horse's nomination, The Master's dominance. Not to my taste, Naomi's absence, Life of Pi's almost total absence, The Cabin in the Woods' nomination (that film continues to show promise in that category - to think that film was shelved for years!) and that peculiar Adapted Screenplay slate - even sans Silver Linings Playbook, I'm not impressed by Cloud Atlas' appearance, and even less impressed by Cosmopolis'! Still, their choices are, collectively, beyond reproach, as it's hard to argue that they're trying too hard to influence the race, nor slavishly follow its trajectory. Winners three weeks from now, on the 7th.
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