Best Picture
·
Amour
·
Cloud
Atlas
·
Django
Unchained
·
Holy
Motors
·
Lincoln
·
The
Master
·
Moonrise
Kingdom
·
Once
Upon a Time in Anatolia
·
Tabu
·
Zero
Dark Thirty
Best Director
·
Paul
Thomas Anderson (The Master)
·
Kathryn
Bigelow (Zero Dark Thirty)
·
Leos
Carax (Holy Motors)
·
Nuri
Bilge Ceylan (Once Upon a Time in Anatolia)
·
Miguel
Gomes (Tabu)
Best Actor
·
Anders Danielsen Lie (Oslo, August 31st)
·
Daniel Day-Lewis (Lincoln)
·
Denis Lavant (Holy Motors)
·
Joaquin
Phoenix (The Master)
·
Matthias
Schoenaerts (Bullhead)
·
Jean-Louis
Trintignant (Amour)
Best Actress
·
Jessica
Chastain (Zero Dark Thirty)
·
Marion
Cotillard (Rust and Bone)
·
Greta
Gerwig (Damsels in Distress)
·
Nina
Hoss (Barbara)
·
Emmanuelle
Riva (Amour)
·
Rachel
Weisz (The Deep Blue Sea)
Best Supporting Actor
·
Dwight
Henry (Beasts of the Southern Wild)
·
Philip
Seymour Hoffman (The Master)
·
Matthew
McConaughey (Killer Joe)
·
Christoph Waltz (Django Unchained)
·
Yu
Jun Sang (In Another Country)
Best Supporting Actress
·
Amy
Adams (The Master)
·
Rosemarie
DeWitt (Your Sister’s Sister)
·
Gina
Gershon (Killer Joe)
·
Nicole
Kidman (The Paperboy)
·
Edith
Scob (Holy Motors)
Best Original Screenplay
·
Paul
Thomas Anderson (The Master)
·
Wes
Anderson and Roman Coppola (Moonrise Kingdom)
·
Mark
Boal (Zero Dark Thirty)
·
Leos
Carax (Holy Motors)
·
Miguel
Gomes and Mariana Ricardo (Tabu)
·
Michael
Haneke (Amour)
Best Adapted Screenplay
·
Jacques
Audiard and Thomas Bidegain (Rust and Bone)
·
David
Cronenberg (Cosmopolis)
·
Terence
Davies (The Deep Blue Sea)
·
Tony
Kushner (Lincoln)
·
Joachim
Trier and Eskil Vogt (Oslo, August 31st)
·
Roger
Deakins (Skyfall)
·
Fred
Kelemen (The Turin Horse)
·
Mihai
Malaimare Jr. (The Master)
·
Rui
Poças (Tabu)
·
Gökhan
Tiryaki (Once Upon a Time in Anatolia)
Best Editing
·
Alexander
Berner (Cloud Atlas)
·
William
Goldenberg and Dylan Tichenor (Zero Dark Thirty)
·
Leslie
Jones and Peter McNulty (The Master)
·
Nelly
Quettier (Holy Motors)
·
Andrew
Weisblum (Moonrise Kingdom)
Best Production Design
·
David
Crank and Jack Fisk (The Master)
·
Sarah
Greenwood (Anna Karenina)
·
Arthur
Max (Prometheus)
·
Florian
Sanson (Holy Motors)
·
Adam
Stockhausen (Moonrise Kingdom)
Best Original Score
·
Alexandre
Desplat (Moonrise Kingdom)
·
Jonny
Greenwood (The Master)
·
Reinhold
Heil, Johnny Klimek and Tom Tykwer (Cloud Atlas)
·
Dario
Marianelli (Anna Karenina)
·
Dan
Romer and Benh Zeitlin (Beasts of the Southern Wild)
Best Ensemble
·
Holy
Motors
·
Lincoln
·
Moonrise
Kingdom
·
Once
Upon a Time in Anatolia
·
Tabu
Best Animated Film
·
Arrietty
·
Frankenweenie
·
ParaNorman
·
Tatsumi
·
Wreck-It
Ralph
Best Documentary
·
How
to Survive a Plague
·
The
Imposter
·
Marina
Abramovic: The Artist is Present
·
The
Queen of Versailles
·
This
Is Not a Film
Best Film Not in the English
Language
·
Alps
·
Amour
·
Holy
Motors
·
The
Kid With a Bike
·
Once
Upon a Time in Anatolia
·
Oslo,
August 31st
·
Rust
and Bone
·
Tabu
·
This
Is Not a Film
·
The
Turin Horse
Best Picture Not Released in 2012
·
The
Angels' Share
·
The
Atomic Age
·
Berberian
Sound Studio
·
Beyond
the Hill
·
Beyond
the Hills
·
Blancanieves
·
Caesar
Must Die
·
Differently,
Molussia
·
Faust
·
Frances
Ha
·
The
Hunt
·
In
the House
·
Klip
·
Laurence
Anyways
·
Leviathan
·
Lore
·
No
·
Our
Children
·
Stories
We Tell
·
Student
Reliably smart picks from the ICS. The Master leads, with Holy Motors close behind. A little surprising that Amour is missing a Best Director nomination for Michael Haneke, although the Director lineup is very strong; also, it doesn't match Oscar's lineup at all. Strong showings for foreign language films like Tabu and Once Upon a Time in Anatolia in addition to others, while Oscar favourites like Argo, Les Miserables, Silver Linings Playbook and, disappointingly, Life of Pi are entirely absent. Winners will be revealed on the 9th of February - I've decided to consider the ICS a critics' group this year, as it's about as much a critics' group as the NBR. The full critical report, thus, will be published thereafter. (The Chlotrudis Society honours only independent film, so it won't be included, despite being comprised of somewhat similar memberships).
Unusual but great picks.
ReplyDeleteA complete non-reflective of oscars.
Pleasant change in the midst of similar names.
Good to see The Master getting deserved recognition in technical categories after being forgotten in major technical guilds.
Yeah, it's been almost exclusively cast recognition from the major groups. A bit ridic to think that Mihai Malaimare Jr. hasn't been nominated for the Oscar, the ASC or the BAFTA.
Delete".....Oscar favourites like Argo, Les Miserables, Silver Linings Playbook and, disappointingly, Life of Pi are entirely absent."
ReplyDeleteI am no defender of the Oscars by any stretch, but the absence of some of these is just as much as a critical affront, so despite the solid foreign-language choice this presentation is woefully incomplete in my opinion.
I'd have Argo in Editing and Anne Hathaway in Supporting Actress, but otherwise, I see nothing wrong with these snubs, Life of Pi aside. Much as I enjoyed Argo, I much prefer seeing some overlooked films like Tabu making the cut for once. Different groups, different expectations, different tastes.
DeleteI completely understand that. I was just trying here to get in a constructive comment about the choices made as far as I perceive their artistic worth from where I am standing. The snub to THE LIFE OF PI in my opinion is MAJOR, because it is just about unprecedented. I agree there are some fine choices here for sure.
ReplyDeleteI can't understand the Life of Pi snub. Not even for Cinematography? Baffling. Maybe in the opinion of one person, but a whole society?
Delete