Best
Picture
1. Holy Motors
2.
Tabu
3.
Amour
4.
Zero
Dark Thirty
5.
The
Master
6.
Moonrise
Kingdom
7.
Once
Upon a Time in Anatolia
8.
Django
Unchained
9.
Lincoln
10.
Cloud
Atlas
Best
Director
1. Leos Carax (Holy Motors)
2.
Miguel
Gomes (Tabu)
Best
Actor
1. Denis Lavant (Holy Motors)
2.
Jean-Louis
Trintignant (Amour)
Best
Actress
1. Emmanuelle Riva (Amour)
2.
Marion
Cotillard (Rust and Bone)
Best
Supporting Actor
1. Philip Seymour Hoffman (The Master)
2.
Christoph Waltz (Django Unchained)
Best
Supporting Actress
1. Amy Adams (The Master)
2.
Rosemarie
DeWitt (Your Sister’s Sister)
Best
Original Screenplay
1. Miguel Gomes and Mariana Ricardo (Tabu)
2.
Wes
Anderson and Roman Coppola (Moonrise Kingdom)
Best
Adapted Screenplay
1. Joachim Trier and Eskil Vogt (Oslo, August 31st)
2.
Tony
Kushner (Lincoln)
1. Gökhan Tiryaki (Once Upon a Time in Anatolia)
2.
Mihai
Malaimare Jr. (The Master)
Best
Editing
1. William Goldenberg and Dylan Tichenor (Zero Dark Thirty)
2.
Andrew
Weisblum (Moonrise Kingdom)
Best
Production Design
1. Adam Stockhausen (Moonrise Kingdom)
2.
Sarah
Greenwood (Anna Karenina)
Best
Original Score
1. Dario Marianelli (Anna Karenina)
2.
Jonny
Greenwood (The Master)
Best
Ensemble
1. Moonrise Kingdom
2.
Once
Upon a Time in Anatolia
Best
Animated Film
1. Arrietty
2.
Tatsumi
Best
Documentary
1. This Is Not a Film
2.
Marina
Abramovic: The Artist is Present
Best
Film Not in the English Language
1. Holy Motors
2.
Tabu
3.
Amour
4.
Once
Upon a Time in Anatolia
5.
Oslo,
August 31st
6.
The
Turin Horse
7.
The
Kid With a Bike
8.
Rust
and Bone
9.
Alps
10.
This
Is Not a Film
The ICS delivers their verdict on the films of 2012, being the last of the critic organisations to do so, by a long way. And their choices are perhaps more reflective of the critical opinion in America last year than many of the more famous groups'. Holy Motors is a big winner, and Tabu was also popular. These are right up my street. Nominations can be found here.
The ICS delivers their verdict on the films of 2012, being the last of the critic organisations to do so, by a long way. And their choices are perhaps more reflective of the critical opinion in America last year than many of the more famous groups'. Holy Motors is a big winner, and Tabu was also popular. These are right up my street. Nominations can be found here.
Haven't seen many of the awarded foreign films.
ReplyDeletePleasure to see Zero Dark Thirty's Editing victoy, The Master & Moorise Kingdom's so desreved adoration.
If you wouldn't mind, got an inquiry to make.
Having this unfortunate trouble of not been able access your film reviews at times.
When a movie's(popular critical ones, released well before 2012 december) name is typed on search engine, it takes me rather to an awards' section page/pages where screen on screen review of the movie is seemingly absent.
Sorry. Any remedy?
Or is it my PC as dim-witted as me?
Sorry, no idea! Have you kept flipping back through the pages? My awards-related posts tend to be my most popular, so that might be why they're coming up first. I'll see if I can fix it.
DeleteWas always typing the movies' name on the bottom side of search engine.
DeleteNow, after typing the same on top side of search engine, it takes us to the popular matching of the movie's name with awards' gallery. As you asked, after flipping through the posts, we arrive at the review sandwiched between other articles. That's not a problem. Now, could access easily for time being.
Amour's review is beautiful. Thank you.
Good that you've been able to find what you were looking for. I'm not sure how to change that feature, but I'll have another look.
DeleteWas back in time, a while ago, reading your summarised edition of AMPAS nominations with some sentences with it. How incredulous the eventful major nominations seemed. 10 january, since, a month has passed and we're still dissecting and debating trying dot the i's and still we are nowhere certain.
ReplyDeleteApparently, it's a done deal with precursors but Academy, got to have their won say.
It occurred to me, brother that why do we care about all this unconvincing, harrowing and whispering, often poltical godforsaken game of hype and momentum, just watch the movies and enjoy.
Then had an epiphany its friggin Ocars, highest film-making honour, cinephiles and cinemagoers gotta care r8.
Just hoping to 've some pleasant surprises. And not horrible surprises.
Yeah, I try to see them as separate things. I appreciate the films I appreciate as themselves, without consideration for how well they may fare come Oscar season. If they do fare well, like Amour or Life of Pi have this year, I'm happy. If they don't, like Keep the Lights On or Holy Motors, I don't get too bothered. And I try to enjoy the Oscar race as just a game, albeit a game that has rather too much influence on culture for my liking.
DeleteAgreed. A game that has rather too much influence on culture for my liking. Absolutely.
DeleteMay be, had too much expectations on this race that rather turned out be lopsided, with one group jus marching and sweeping ahead. Nevertheless, we wait for that 24th February.
Thank you.
Nice to see THE TURIN HORSE -my favorite film of the year- show up on the non-English language list.
ReplyDeleteBut obviously this group always offers up classy choices.
Always. The Turin Horse will feature on my top ten of 2012 when I post it next week!
Delete