I'm looking forward to seeing Alex Gibney's The Armstrong Lie, even if it's a story many of us are already pretty familiar with. And Ralph Fiennes' The Invisible Woman has attracted strong reviews in its festival screenings over the past couple of months or so. I saw The Past at LFF, and though it wasn't one of my favourite films at the fest, it's still good and I'm sure it'll have a lot of fans when it opens theatrically in more territories. All three possess awards potential; in the case of The Invisible Woman, maybe more than it may currently seem.
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