Gosh, Patrick. Get over it! We all know you liked 'O is for Orgasm'. And we all know you liked The Strange Colour of Your Body's Tears. No need to keep going on about it like this! Actually, I was thinking this one over in my head - did I prefer Bernard Beets' editing in The Strange Colour of Your Body's Tears to all other film editing last year, or Daniel P. Hanley and Mike Hill's editing in Rush? It was almost Rush that I decided upon, until I realised that I was probably only being swayed in that direction because I was wary of how much praise I'd recently heaped upon Strange Colour. But fuck it. It deserves it. Bernard Beets is one hell of an editor, and his work proves that Helene Cattet and Bruno Forzani are more than just surface-deep sensationalists.
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