Always interested in a new film from Atom Egoyan, but after the terrible response to last year's Devil's Knot, I'm not so sure about Captives. It definitely looks like recent-era Egoyan, rather than a return to his '90s esotericism, which would likely have satisfied more cinephiles. Something akin to Where the Truth Lies wouldn't go unappreciated by me, though. One bright spot: it's among the Cannes competition selections next month.
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