I won't pretend that I think the trailer for Claudia Llosa's Aloft makes the film look brilliant, because I don't think it does, but I do think it makes the film look interesting. So too does its turbulent route to theatres, involving two separate festival cuts and a stuttering international rollout, seeing the film take in just three markets (two of them very small) in the 14 months since it first screened. Keep an eye out for this one.
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