Showing posts with label Weiner. Show all posts
Showing posts with label Weiner. Show all posts

Tuesday, 1 November 2016

DIVERSITY RULES IN 2016 IDA NOMINATIONS


No, nothing to do with anyone named 'Ida,' at least to my awareness, these are the International Documentary Association nominations for doc filmmaking in 2016, their 32nd annual slate of awards. A whole bunch of acclaimed titles here, which include several TV categories not included in this post. Some I've seen and enjoyed already, and others to which I'm highly looking forward. Among the nominees in top categories are some award winners already announced. Pleasingly, three of the seven directors with films up for the Best Feature award are POC, and three are women. Winners will be announced on the 9th of December. You can see all the film nominees below:

Best Feature
13th (Spencer Averick, Howard Barish and Ava DuVernay)
Cameraperson (Kirsten Johnson and Marilyn Ness)
Fire at Sea (Roberto Ciccutto, Paolo del Brocco, Camille Laemle, Serge Lalou, Donatella Palermo, Olivier Pere, Gianfranco Rosi and Martine Saada)
I Am Not Your Negro (Remi Grellety and Raoul Peck)
O. J.: Made in America (Ezra Edelman, Deirdre Fenton, Libby Geist, Nina Krstic, Erin Leyden, Tamara Rosenberg, Connor Schell and Caroline Waterlow)
Weiner (Josh Kriegman and Elyse Steinberg)

Best Writing
James Baldwin and Raoul Peck (I Am Not Your Negro)

Best Cinematography
Gianfranco Rosi (Fire at Sea)

Best Editing
Nels Bangerter (Cameraperson)

Best Music
Jacaszek (The Bad Kids)

Pare Lorentz Award
Starless Dreams (Mehrdad Oskouei)

Best Short
The Above (Kirsten Johnson and Marilyn Ness)
Clinica de Migrantes: Life, Liberty and the Pursuit of Happiness (Jenny Lim and Maxim Pozdorvkin)
Extremis (Dan Krauss)
Pickle (Amy Nicholson)
Red Lake (Fenton Bailey, Randy Barbato and Billy Luther)
The White Helmets (Joanna Natasegara and Orlando von Einsiedel)

Monday, 10 October 2016

1ST EVER CRITICS' CHOICE DOCUMENTARY AWARDS: NOMINATIONS ANNOUNCED


Well, well, well! Who'd have expected this? The 2016-17 awards season kicks off extra early this year, as the Broadcast Film Critics Association announces its nominees for its first ever Critics' Choice Documentary Awards. Previously, the BFCA had simply handed out one award for Best Documentary at their annual movie awards ceremony; like any organization desperate to remain relevant, several significant changes have been made to the Critics' Choice awards in recent years, mainly of questionable character, but this new development is a promising one. That's one fewer award to chuck out during the commercial breaks on their hopeless televized awards ceremony, and several more awards for documentary filmmaking, ever underappreciated by audiences. As a further sign of the blurring of the lines between film and TV, these awards feature projects from both media. Award winners will be declared at a ceremony on the 3rd of November. Check it all out below:

Best Documentary Feature
13th
Cameraperson
Fire at Sea
Gleason
Life, Animated
O.J.: Made in America
Tickled
Tower
Weiner
The Witness

Best Direction of a Documentary Feature
Ezra Edelman (O.J.: Made in America)
Ron Howard (The Beatles: Eight Days a Week - The Touring Years)
Kirsten Johnson (Cameraperson)
Keith Maitland (Tower)
Clay Tweel (Gleason)
Roger Ross Williams (Life, Animated)

Best Song in a Documentary Feature
Tori Amos - 'Flicker' (Audrie & Daisy)
Common, Karriem Riggins and Robert Glasper - 'Letters to the Free' (13th)
Sharon Jones - 'I'm Still Here' (Miss Sharon Jones!)
Mike McCready - 'Hoping and Healing' (Gleason)
J. Ralph and Sting - 'The Empty Chair' (Jim: The James Foley Story)
Sia - 'Angel by the Wings' (The Eagle Huntress)

Best First Documentary Feature
Otto Bell (The Eagle Huntress)
David Farrier and Dylan Reeve (Tickled)
Adam Irving (Off the Rails)
Josh Kriegman and Elyse Steinberg (Weiner)
James D. Solomon (The Witness)
Wang Nan Fu (Hooligan Sparrow)

Best Music Documentary
The Beatles: Eight Days a Week - The Touring Years
Gimme Danger
Miss Sharon Jones!
The Music of Strangers
Presenting Princess Shaw
We Are X

Best Political Documentary
13th
Audrie & Daisy
Newtown
O.J.: Made in America
Weiner
Zero Days

Best Sports Documentary
Dark Horse
The Eagle Huntress
Gleason
Fantastic Lies
Jackie Robinson
Keepers of the Game
O.J.: Made in America

Most Innovative Documentary
Cameraperson
Kate Plays Christine
Life, Animated
Nuts
Tower
Under the Sun

Best Documentary Feature: TV / Streaming
13th
Amanda Knox
Audrie & Daisy
Before the Flood
Fantastic Lies
Holy Hell
Into the Inferno
Jim: The James Foley Story
Mapplethorpe: Look at the Pictures
Rats

Best Ongoing Documentary Series
30 for 30
Frontline
Last Chance U
Morgan Spurlock Inside Man
POV
This Is Life with Lisa Ling

Best Limited Documentary Series
The Circus: Inside the Greatest Political Show on Earth
The Eighties
The Hunt
Jackie Robinson
O.J.: Made in America
Soundbreaking: Stories from the Cutting Edge of Recorded Music

Best Director: TV / Streaming
Fenton Bailey and Randy Barbato (Mapplethorpe: Look at the Pictures)
Rod Blackhurst and Brian McGinn (Amanda Knox)
Ava DuVernay (13th)
Werner Herzog (Into the Inferno)
Morgan Spurlock (Rats)
Fisher Stevens (Before the Flood)

Best First Feature: TV / Streaming
Everything Is Copy (Jacob Bernstein and Nick Hooker)
Holy Hell (Will Allen)
Mavis! (Jessica Edwards)
My Beautiful Broken Brain (Sophie Robinson and Lotje Sodderland)
Southwest of Salem: The Story of the San Antonio Four (Deborah Esquenazi)
Team Foxcatcher (Jon Greenhalgh)

Friday, 22 July 2016

REVIEW - WEINER (JOSH KRIEGMAN AND ELYSE STEINBERG)


If a week is a long time in politics, you'd hope that Josh Kriegman and Elyse Steinberg's detail of New York mayoral candidate Anthony Weiner's 2013 election campaign would keep things moving: the timeframe here is eight weeks! Luckily, Weiner is a fast-paced film indeed, hurtling through the infamous, incendiary, incredible events of this period, chronicling the politician's brief, redemptive rise from public humiliation, and then his extraordinary, prolonged meltdown. It's a most sensational, salacious story, one of enormous peaks and gargantuan troughs in Weiner's circumstances; the kind of thing you probably could make up, but just wouldn't. The momentum, whether positive or negative, of the campaign is captured perfectly in the snappy editing, thus keeping Weiner buoyant and involving; better, though, than its sheer speed is the artistry contained within this relentless forward motion. Editor Eli B. Despres has a real feeling for the construction of mood and tone through his process, both matching and accentuating the piquant emotional and political observations in Kriegman and Steinberg's probing direction. Tension and excitement bubble up through the mania, and cheeky black comedy is knowingly purveyed, with even the film's more sympathetic figures not immune to being targeted. Still, Weiner is a thoroughly light affair - lighthearted and lightweight, an unexpected piece of popcorn entertainment that's perhaps unambitious, but certainly put together with skill and perceptiveness.

Tuesday, 26 April 2016

OFFICIAL TRAILER FOR WEINER


Well, this looks fun. Though don't tell me that the MPAA rating gives away the curious lack of actual dick pics in this dick pic doc? At least I can keep my expectations in check. Josh Kriegman and Elyse Steinberg's critically acclaimed Anthony Weiner film opens in the US in limited release on the 20th of May. It won the Grand Jury Prize for U.S. documentaries at Sundance earlier this year!